O.K. I hate Kidz Bop too, but saying that they deserve to die is just too far. I hop you mean that the band and company needs to die, as in 'close down', but those people from Kidz Bop don't deserve to die just because of bad music.

Okay, that’s too far. As much as I despise Kidz Bop, I don’t send death threats to them. - BlazingParasol

5The Kidz Bop Kids are not in school

One did go back to school on Good Morning Britain they said Lois Ellington went back to school.

Who cares, Baby Boomers and Gen X's say everyone born after them are going to be useless and will destroy the planet.

Brats can even pick up a book for once.

Tell that to any child who is making an album.6The Kids on Kidz Bop are spoiled brats

Spoiled brats? How.

Disney Channel literally runs Kidz Bop. They just take perfectly good songs and make their own corny remixes. They also go on tours nobody even buy tickets to attend.

I'd have to agree with this one. - RockFashionista7The lyric changes

It's so stupid, they ruin EVERY SINGLE LYRIC from all of their edited songs. Plus, these edits aren't even necessary to the songs. They change things such as 'midnight' to 'late night'. FYI, midnight is basically late night.

This should be number one! They ruined Starships and Timber!

They cleaned up 'fire a gun' from lean on, 'skin was showing' from call me maybe, and 'i could have another(i guess they were scared that it might suggest drinking alchohol)' from honey I'm good. I can't believe they actually think kids aren't mature enough to hear that stuff

I don't understand why they change lyrics that aren't innapropiate.8Their commercial comes on every second it seems

True9Their fans are just little kids

I didn't honestly know that but that's weird

The Newcomers

?They censor the word 'girl'.

They also for example censored the word tipsy for silly

The Contenders

12Their managers are so lazy they can't write songs for them
14Kidz Bop has come to Britain

Don't pity. Kidz Bop might not even have the same success over here. But I'm just guessing.

Feel sorry for British people because they know how us Americans feel.

I dunno if Kidz Bop is as known in Britain as America, maybe because its been around longer, I think America has over 30 albums.

United Kingdom four kids aged 11-12. 201715They sing songs that are not supposed to be for kids

Say that to the UK 80s kids show and albums called Mini Pops children of any age dressing as singers in adult clothing and singing songs that are inappropriate. They where one of the most inappropriate kids things back then.

True. They sang 'Love me Harder' by Ariana Grande which is a song about sex. Just because she used to be on a kid's show doesn't mean all of her songs are appropriate for children.16They use Autotune every time

YEEES! They actually sound pretty good- because it's more autotune and digital singing than actual singing. and they're still no comparison to their victims: the Beatles!18

Lil Wayne Auto-tune Songs

They are untalented

They are not good, they sang old town road and it was awful, I listen to the regular one and I am 12! First, booty is not a bad word, they have one, you have one, I have one. Second, Bladder isn't bad either, I don't know why people think that bladder and booty is a bad word. they are not good at all. untalented, not good at all, they are for 3 to 5 year olds. I have no idea why there are so popular20They have no life

You mean youngsters who just want to have a little bit of fame, I have no idea why the people who made Kidz Bop wanted to make child friendly songs, if they wanted to do that then they should've sang theme songs from children's cartoons, nursery rhymes.21They sing Beatles songs

WAIT.
WHAT?! - RoseWeasley

They sang everything except for Yellow Submarine..If the guys who own Kidz Bop would get them to sing Beatles songs that should be the first song, it's a kids song even the movie is kinda like a kids film.

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23They sing songs they don't know the meaning of

Like bring me to life by evansence. - PanthersFTWpatriotsFTL24They cover inappropriate songs for kids

They even take ones that are not innapropiate at all and made a kids versions of it!

Top Auto Tune Songs 2017
26The name: Kidz Bop

Sounds like kids having sex. - PanthersFTWpatriotsFTL

The word bop has been around before Kidz Bop, dunno who chose to use z instead of s maybe because its like Now: For Kids (but with lyric changes)27They sang an original song for Lego Ninjago

Excuse me? What Did They Sing?! >:( - Gehenna28The pitch (key) in certain songs is different

Some of the songs they sing are not in the songs' normal pitch. The song them in a higher or lower pitch. That is bad.30Their parents don't even care.

The parents don't care that the kidz bop kidz are stupid, and uneducated!

32Kidz Bop Fashion
33They cover songs without permission

I heard Billie Joe Armstrong sued them twice for covering Boulevard of Broken Dreams and Wake me Up When September Ends.

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34Kidz Bop Sings The Beatles - Kidz Bop

Everyone has probably sang Yellow Submarine in school but this has probably gone too far.

36They have a radio channel
38They have a partnership with LEGOLAND Florida
39They change lyrics even if they are clean and that’s stupid
41They put Kidz Bop in the lyrics if the lyric is inappropriate.

Related Lists

Worst Kidz Bop Lyric ChangesTop Ten Reasons to Like Kidz BopTop Ten Least Annoying Kidz Bop SongsTop Best Kidz Bop AlbumsTop 10 Original Songs Covered by Kidz Bop from the Kidz Bop 2 Album

List Stats

Top Remixes

1. They ruin perfectly good songs
2. Their voices are totally awful
3. The lyric changes
Minecraftcrazy530
1. They ruin perfectly good songs
2. They are still alive
3. They can't write their own songs
jackey11


Error Reporting

See a factual error in these listings? Report it here.
Prior to the digital age, life in the studio was all about moderating the effects of human touch.
Compressors evened out the dynamics of the bass player while a side chain feed kept them matched with the drummer. The drummer had a metronome feed playing to maintain tempo.
Singers, well, you could keep their dynamics in control, but when they sang flat, about all you could do was tell them to smile as they sang and aim above the problem notes.
Smiling has the mysterious effect of raising singers' pitch. Aiming high is probably wishful thinking on everyone's part, but sometimes it works.
Quick Navigation

The Advent of Auto-Tune

You wouldn't think earthquakes have a lot to do with singing in pitch and they don't, really.
However, it was seismi c research that provided the background for Dr. Andy Hildebrand, the creator of Auto-Tune and its parent company Antares.
He left that field and returned to his early love of music, bringing knowledge that created seismic interpretation workstations and applied it to issues arising in the early days of digital music.
Hildebrand's expertise with digital signal processing led to a series of audio plug-ins, including 1997's Auto-Tune, which could correct the pitch of a voice or any single-note instrument with surprisingly natural results.
Audio engineers now had a weapon against the occasional bum note. Rather than scrapping an entire take, Auto-Tune offered a repair tool that quickly caught on.

Auto-Tune as an Effect

It was only a year later in 1998 that use of Auto-Tune as an effect rather than repair tool happened.
Called the 'Cher Effect' after the singer's hit, 'Believe,' artificial and abrupt pitch changes came into vogue. Later, real-time pitch correction hardware brought both effects and repairs to the stage.
In the studio, Auto-Tune proved another weapon to 'fix it in the mix.'
Issues with Auto-Tune started soon after, with lines drawn between the purist and users camps. Many felt that using pitch correction was an artistic cheat, a way to bypass craft.
The arguments resemble the resistance synthesizers received in the 1970s and 80s that led Queen to note that none were used on their albums.
The other side of the argument pointed out that tools such as compressors and limiters and effects such as audio exciters had already been modifying the sound and behavior of voices throughout the history of recording. Though the anti-Auto-Tune camp seems vocal and large, rarely does a session go by without some use of pitch correction. It's nearly impossible to detect when used judiciously, nowhere near as obvious as when used for effect.
Auto-Tune is no longer the only player in the pitch correction game either. Celemony's Melodyne software substantially improves on Auto-Tune's interface and brought the full power of pitch correction to a plug-in ahead of the tool's originator, which still leads the pack when it comes to response and set-and-forget capability.

'Generic' Auto-Tune

The Antares version of the effect has achieved 'Kleenex' status. Its brand name is now synonymous with the generic effect it originated. It joins 'Pro Tools' from the audio world and 'Photoshop' from digital imaging in this manner.
Unlike some digital music signal processors, pitch correction hasn't generated a huge number of knock-offs. Melodyne is a serious contender, due to its far more intuitive interface. GSnap is an open source alternative that produces similar results. While iZotope's VocalSynth includes pitch correction features, it's more of a full vocal processor rather than a dedicated pitch correction app.

The 4 Best Auto-Tune VST Plugins

Now, lets get into the top 4 autotune plugins​. Each one offers unique features and I assure you that one of these plugins have exactly what you are looking for

Antares Auto-Tune Vocal Studio

The originator is now a full-featured and functional vocal processor that still masters the innovative pitch correction duties it brought to the market, but adds a wide range of additional features and effects to help nail down the perfect vocal take.
Auto-Tune 7 forms the core of the Vocal Studio package, still tackling the pitch and time correction duties it always has. Since its earliest days, automatic and graphical modes handle the various chores for the main Auto-Tune module.
While still presenting a learning curve for the new user, the Auto-Tune 7 interface remains familiar enough for experienced users. Since it's the best-selling pitch correction software going -- and by a huge margin -- there are a lot of existing Auto-Tune users. Even if you're new to the plug-in, chances are you know someone who's used it.
The rest of the Vocal Studio package focuses on vocal manipulations such as automatic doubling, harmony generation, tube amp warmth and vocal timbre adjustment. The range and nature of these adjustments takes vocal processing into some new territory.
The MUTATOR Voice Designer lets you manipulate voices from subtle to extreme, permitting organic or alien manipulations but with results that still sound like voices, though perhaps not of this world. The ARTICULATOR Talk Box produces effects such as the guitar talk box of Peter Frampton and Joe Walsh, but also Alan Parsons-ish vocoder sounds, combining the features of sung or spoken voice with an instrument's output.
While the Auto-Tune Vocal Studio remains pricey, it remains at the top of a niche market of audio processing.

Melodyne 4 Studio

If Auto-Tune has a serious competitor in the pitch correction universe, it's Celemony's Melodyne. The interface, layout and operation of Melodyne is inherently more musical than the Antares take, so newcomers to pitch correction will likely find Melodyne easier to work with.
The Melodyne 'blob' is an easy to grasp analog of a sung note. It's far more intuitive than a waveform to understand. With the focus on graphical interface, Melodyne makes sense more quickly and easily than Auto-Tune. The latter's switching between automatic and graphical modes creates a comparative disconnect between functions.
Let's look at 2 of them: GCCTo install GCC on Windows you need to install MinGW. Install dev c++ compiler download. There are several alternatives for compiling C on windows.
Even long-time users of Auto-Tune will find moving to Melodyne natural, as there's enough in common that, once a user gets their bearings, familiar functions remain available.
Many Melodyne functions perform on polyphony too. Correcting a track with a multi-voice choir or chording instrument can work too. It's not a perfect function, but it's uncanny how often Melodyne senses chords clearly enough to allow changing of a single element.
What Melodyne doesn't do is the advanced vocal pyrotechnics offered by Auto-Tune. The Celemony product is all about pitch and time correction and it accomplished these with grace and ease.
Those looking for an affordable entry into digital pitch correction can turn to Melodyne 4 Essential. It's a plug-in that handles the pitch and time corrections of its big brother, but with fewer advanced features and without the full-featured price tag.

iZotope VocalSynth

Though pitch correction isn't the focus of this iZotope plug-in, it resembles the full Auto-Tune Studio package. At a fraction of the cost of the big boys in this class, VocalSynth doesn't offer the depth of control experienced with either Auto-Tune or Melodyne, yet it still manages to provide a reasonable job of pitch correction.
There's no graphical representation such as Melodyne's or Auto-Tune's graphical mode. That makes fine-tuning performances a little beyond the reach of VocalSynth, but for reasonable performances, it's not a major limitation. Think of the iZotope product as a first-aid kit rather than an emergency department.

Best Auto-tune Songs

The four voice synthesis modules are where the fun resides with VocalSynth. Talkbox, Compuvox, Polyvox and Vocoder modules emulate many of the vocal effects you've heard on hits from a wide range of artists. This is also just the most overt extra in the VocalSynth package.
A variety of additional modules let you tune up or tear up your vocal tracks. Add harmony, filter vocals, create radio and phone effects. These modules can either optimize your track or take it to new and exciting places.
VocalSynth may be the country cousin to the serious pitch manipulators, but it has capability with a high fun factor.

GVST GSnap

Don't let the download page fool you, GSnap is a VST plug-in that works with any DAW platform that supports VST, not simply Windows-based DAWs. Both 32 and 64-bit support is included. Completely free, it does come with limits. While there is more graphic information than iZotope offers, it doesn't offer direct edits.

Top Auto Tune Songs 2017 2018

While not as flexible as pro pitch correction, it's a low-cost alternative for users who can't swing the big time prices. It's difficult to use GSnap subtly. That's not an issue for those seeking pitch correction effects, such as Cher or T-Pain. Backup vocals are also a good candidate.
This is the entry level of pitch correction, and because of that, it's included here. The effect is so ubiquitous that anyone working in the field needs to know how it works. GSnap represents the place to start.

Wrapping It Up

Love it or hate it, pitch correction is here to stay, both as tool and effect. These four plug-ins aren't the only ones out there, but they represent the spectrum of pitch correction treatment. Auto-Tune is the originator. Melodyne is the refinement. It works just as well as the Antares product in nearly every way with an interface that easy to grasp.
iZotope VocalSynth represents the cream of the mid-priced plug-ins. It's capable and creative, even if it's not as flexible on pitch correction as the top-line apps. GSnap represents pitch correction for everyman. You can't knock the price of freeware.

Top Auto Tune Songs 2017 Youtube

The debate will likely rage over the ethics of pitch correction in popular music. While you wait for the dust to settle, give one of these packages a try.
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